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Home arrow Writer's Block
Writer's Block PDF Print E-mail
Written by Christina Berry   
Wednesday, 07 April 2010

(This column first appeared on Moody’s new fiction blog.)

Kicking Writer’s Block to the Curb!

By Christina Berry
Author of The Familiar Stranger, www.christinaberry.net

 

christina_berry.jpgDuring your writing journey along lonely Misunderstood Highway—commonly known to be paved with rejection—your focus is on reaching its intersection with Published Avenue. Occasionally, however, you must pass through the maligned neighborhood of Writer’s Block. In this section of town, people wander aimlessly, circling, with blank or frustrated looks on their face.

You might hit this detour at the start of your journey, though most trips start off with great excitement. A full tank of gas, goodie bag, sweet tunes on the radio, and the open road ahead—writing is good!

We’re not yet sick of our traveling companions (characters), the scenery (setting), the purpose of the trip (theme), and we’re not discouraged by how far we still have to go (word count).

Imagine this: You’re cruising along at just over the speed limit, impressed with what good time you’re making—when a pendulous, glaring, red eye of a stoplight appears over the roadway.

Screech!

Suddenly your companions have gone silent, the setting is stagnant, you’re not sure why or where you are headed, where you are, and wherever it is … it’s too far away.

Should you do a U-turn and go back to your existence as a happy nonwriter, clueless as to the pain of Writer’s Block, untouched by literary angst? Never! Try some of these things to get—in the timeless words of Willie Nelson—on the road again.

1)   Pray! This is the answer to everything, so a great place to start, no doubt. 

2)   Play a game with yourself. Sometimes I make a list of my chores, and a list of my word count in 100-word increments. After crossing off a chunk of words, I can start a load of laundry or shower or grab a handful of M&Ms.

3)   Read a great book to inspire you, or a horrible book to remind you that even bad books get finished eventually. Some even are published.

4)   Take a walk. The exercise will stimulate the blood flow to your brain, creating instant genius fixes to whatever plagues your manuscript.

5)   Open a new document or grab a notebook and let your mind go in a stream-of-consciousness monologue from one of your characters. After 10 minutes, reread what poured onto the screen/page. Is there a new conflict you didn’t even know about that can be explored? What worries does your character reveal?

6)   Vent. Call a friend. If you call a fellow writer, you might get a bit of sympathy, but she won’t let you whine for long. Choose a nonwriter. You’ll have an aura of mystic creativity, which allows for a longer whine.

7)   I know I already mentioned M&Ms, but snacking is always a good thing. Just make wise choices. Carrots, raisins, and a cup of dry Cinnamon Life might allow you to maintain a better lap for your laptop to rest upon than chocolate, ice cream, and cappuccinos.

8)   Have your character do a normal thing, but with a crazy twist. I thought my daughter was building a snowman after the last good accumulation of white stuff. She called me outside a few hours later to show off her snow seal, complete with ball on its nose. Those little details, if you’ve stuck in a needed scene that’s been done too many times before, could get your story moving again.

9)   Grab the newspaper. Find the craziest story, then work some aspect of it into your novel. The fresh direction should give you a “novel” wind.

10)  Introduce a new character and see how the dynamic of the novel shifts.

11) Skip ahead a few chapters, see what’s going on, then go back and connect the dots.

12) Ask yourself, If I don’t want to write this, is it because it’s boring and I know nobody wants to read it? Maybe it’s a scene that can be cut.

(These final two are courtesy of Stephen Bly’s keynotes during the 2008 OCW Summer Conference)

13) Put some characters together and write only the conversation. NO actions, or dialogue tags, or description—only conversation. Go back and fill in the blanks.

14) My favorite piece of Steve’s advice? If the scene is dragging, or you seem to be riding a dead horse, shoot somebody. This is especially plot-changing in gentle women’s fiction and Amish.

I hope these strategies work for you. Do me a favor, will you? Give me a little wave when you zoom past and I’m still stuck wandering the block?

 
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